Wednesday, August 25, 2010

garden magazine examples

i have to create a magazine cover for my type here are some examples of gardening magazines as inspiration

Tuesday, August 24, 2010


these are pics that don't really require an explanation....they're all about fuchsia.

Thursday, August 5, 2010

Yellow to the blind...

so, this was a make up assignment for our creative thinking class since some people missed the 2 minute mark last week...since i'm not in the group of mandatory performers i thought i'd post my text here...just in case i don't get to share it in class.

Can you feel it? The warmth of a gentle sun on the first day of spring? You forgot your jacket and as you turn back to get it you realize that it isn’t needed. That warmth, right there, that’s yellow.

It’s feng shui fire energy…not the blistering roar of red…not the front row of the bonfire that’s burned too long on a crisp fall night, but the enchanting softness of a gentle glowing fire…the pleasant burning swell of energy and excitement in the cozy fireplace on a snowy December morning.

Yellow is early morning…it’s the sun rise knocking away the chill from the twilight. It’s quiet. It’s welcoming.

Now smell it. Can you detect the scent of a lemon? Clean, fresh, crisp. Now a field of lightly scented flowers? Daffodils? The pure scent of those flowers after a gentle spring shower has washed away the clutter. That’s yellow.

Yellow isn’t the dark, cold smell of dank mildew…not the oppressive smell of rotting food…but it is the clear, pleasant scent of sun dried laundry, and a freshly cleansed kitchen or bathroom.

Do you hear it? The quiet giggle of little girls as the sun sets, late in a summer’s evening? The melodic tinkle of wind chimes as a comfortably, warm breeze cuts through the suffocating heat and humidity that has settled on the seat of a Southern porch swing?

It’s not the sharp, painful clang of marching band cymbals…yellow is more mellow…like the gentle ring of finger cymbals. It’s not the dark rush of a violent thunderstorm…instead, yellow is the sweet chirp of small birds greeting the morning. Small, mellow, sweet. That’s yellow.

Finally, will you taste it? Tangy? Tart? A little sour? A little sweet? Yellow is the slight accent that completes the perfect meal…without yellow there’s a little something missing (and it isn’t salt).

Yellow is the color of cheerful exuberance and excited joy. It is a child. Yellow brings hope. It is warm and cozy…welcoming and uplifting. Yellow is an endorphin rush. Yellow is happy.

Japanese Architecture

i came across this article on yahoo! headlines today and i really like the aestetic solutions they covered in their examples...anyways, i'll let the author speak for herself...

In Japan, Living Large In Really Tiny Houses

by Lucy Craft

August 3, 2010

The Japanese have long endured crowded cities and scarce living space, with homes so humble a scornful European official once branded them rabbit hutches.

But in recent years, Japanese architects have turned necessity into virtue, vying to design unorthodox and visually stunning houses on remarkably narrow pieces of land. In the process, they are also redefining the rules of home design.

Few Americans would consider a parking-space-sized lot as an adequate site to build a house. But in Japan, homes are rising on odd parcels of land, some as tiny as 300 square feet.

Yet the term "house" doesn't really do justice to these eye-catching architectural gems, fashioned from a high-tech palate of materials like glittering glass cubes, fiber reinforced plastic and super-thin membranes of steel.

More With Less

The need to do more with less space has sparked a boom in house designs that are as playful and witty as they are livable. One of Japan's leading designers of kyosho jutaku, or ultra-small homes, is Tokyo architect Yasuhiro Yamashita.

"If you tried to build a normal house on a super-small plot of land, it would end up being really cramped. So in order to make the house as roomy as possible, we have to think up new structures and assembly," Yamashita says.

Ultra-small homes conserve space by dumping conventional elements like entranceways, hallways, inner walls and closets.

Windows, in a variety of shapes and sizes, are scattered across a wall, or concealed near the base. A bathroom is separated by just a curtain. Furniture can be folded into the wall, allowing a single room to serve multiple purposes.

Designers indulge in fantasy, like asymmetrical walls, cantilevered floors, or cover their houses in a translucent skin, in order to exploit all available natural light.

Yamashita built a long, skinny, cathedral-like futuristic home on a sliver of land just 40-feet wide, and named it "Lucky Drops."

"'Lucky Drops' was built on an extremely long and narrow space. So light could enter only from the ceiling," Yamashita says, speaking in Japanese. "All the light comes in from the top. So the whole house becomes like a Japanese paper lantern."

The boom in quirky small homes was fueled by new design and materials technology, which have slashed the price of a custom-built home by as much as two-thirds, making these homes affordable for singles and middle-class couples.

Minoru and Aki Ota, a couple in their 30s, reside in a home that sits on fewer than 500 square feet. The walls, floors and even the kitchen table are made entirely of precast concrete.

"We weren't interested in a big house in the suburbs. We were happy to have a comfy place downtown. It's not that we wanted to live in a micro-house, but it's turned out to be plenty of room for two and convenient," Minoru Ota says.

The home features narrow windows at ground level, strategically placed to reveal bits of scenery, and flood the house with light.

Washing dishes at the counter — it's also made of concrete — Aki Ota says the house has proved warmer than they expected, but the novelty hasn't worn off four years into their residence. She says it's like living in an art museum.

Azby Brown, author of The Very Small Home: Japanese Ideas for Living Well in Limited Space, says the phenomenon's impact on Japanese popular culture has been huge.

"Cell Brick" (exterior) is a three-story micro-house in Tokyo, circa 2004. Architect Yasuhiro Yamashita says he "cross-stitched" steel and glass to create the eye-catching facade.

"Where the forms of these houses is very unusual, asymmetric, seemingly unbalanced or lopsided, it's because there's a room or certain functions that need to be accommodated," Brown says. "And rather than make everything be symmetrical and line up, they just said, 'Well, if this living room is just going to have to stick out, over the parking space, so be it.'"

The real genius of ultra-compact homes is the use of visual tricks that make tiny spaces appear roomier.

Thinking 3-D

"People tend to think of homes simply in terms of floor space. We architects think in 3-D," Yamashita says. "Using all three dimensions, we can make a space look larger, and more functional. It becomes easier to devise ways of bringing in more light and air."

"It's kind of a psychological jujitsu," Brown says. "That changes your sense of perception from the things that would make you feel claustrophobic perhaps, and rather focusing on the life and the people that you're with."

Super-small luxury houses might seem counter-intuitive to most Americans, who measure their floor space in the thousands of feet, not hundreds.

But Brown, who has lectured on the subject for New York City planners, says the techniques in Japan could offer lessons on how to comfortably house residents in other teeming cities.

"We are larger people physically than the Japanese, we do tend to need more space, we're less comfortable in some sitting positions, like sitting on the floor, than most Japanese are. But I think we could also accommodate ourselves to it," Brown says.

As for the Japanese, who have updated their small-house design based on traditions such as the teahouse, they haven't just accommodated to ultra-tiny homes — they now revel in them.

see the original source here

Monday, August 2, 2010

type examples...readable only

and these are things that you really want to read...but you just can't

type examples...both readable and legible

here are a few examples of type which is readable (you want to read it) and legible (the words are easily read)...